Skip to main content

They fled Bhutan with their children on their backs

Since the early 1990’s, over 100,000 ethnic Nepalese refugees from southern Bhutan have fled to Nepal as a result of racially-motivated forced eviction.   In 1989, the king of Bhutan announced that the country would adopt the ‘One Nation, One People’ policy (also known as Bhutanization) prohibiting the practice of Nepali language, Hindu culture and religion, and any dress other than the traditional Drukpa dress. Thousands of Lhotsampa of Nepali descent who had been living in southern Bhutan since the late nineteenth and early twentieth centuries were forced to leave the country.  Many were brutally tortured and others imprisoned; some spent nearly twenty years living in crowded refugee camps.

For the Bhutanese community in South Philadelphia, images of this history are now illustrated in a mural hanging at the Bhutanese American Organization of Philadelphia (BAOP).  Facilitated by BuildaBridge artists Julie Rosen and Stevie French, as part of Nationalities Services Center's Philadelphia Partnership for Resilience with support from the Office of Refugee Resettlement, twenty-nine Bhutanese elders spent  three months processing their histories through art-making experiences to create this mural.  The left-most section of the mural illustrates their lives as farmers in Bhutan.  The middle section depicts their forced journeys to Nepal and living in the refugee camps.  The third, right most section, shows their new home - Philadelphia.  Since the beginning of this idea in 2013, the goal has always been to display the mural at the BAOP in order for the elders to share their history with the next generation.


On April 11th, that goal was accomplished.  Sixteen children, some parents and other leaders from the Bhutanese community gathered at the BAOP to reveal the mural and listen to the elders share their stories and process of the mural. 
"We want to keep our history alive; we want to pass our history on through the mural to our children."
"It's a blessing being a part of this community and share the artwork with them."
"All [of us] were resettled in different countries, we came to Philadelphia.  I love Philadelphia.  I traveled to many cities - Philadelphia is my favorite."

See pictures from the BAOP event here.  Read about the beginnings of this mural here.

Comments

Popular posts from this blog

PPR Field Trip to Bartram's Garden

On October 27, 2017, Sofya Mirvis, Chelsea Faulkner, and Julie Kring-Schreifels, teaching artists at BuildaBridge, led a group of six people on a field trip to Bartram’s Garden in Philadelphia. This trip began with a very tranquil and engaging tour through Bartram’s Garden. During the tour, everyone got to try out different types of edible wild fruit, flowers, and plants, including: passion fruit, figs, and locust pods. The clients also picked out their favorite plants, fruit, and/or flowers while on the walk through the garden to later draw, paint, or put on a sun print. When we got back from the tour, the group was given a demonstration on botanical illustration. In the demonstration, they learned about the history, the techniques necessary, and the resources that were available in the classroom for botanical illustration. Two alternative activities were also given: sun prints and printmaking. After the demonstrations, everyone excitedly and diligently got to work. Overall, the trip...

Refugee Project Celebrates World Refugee Day at City Hall

On Saturday, July 9 volunteers from BuildaBridge led creative arts activities at Nationalities Service Center's World Refugee Day 2016 celebration. The event took place in the courtyard of Philadelphia Hall. The event was attended by many from the public as well as several familiar faces from our PPR and PRMHC classes. Visual artist Arielle led an arts activity where visitors were encouraged to create " prayer flags ." Prayer flags originate in Eastern cultures, and were originally used to promote compassion, wisdom, peace and strength (Wikipedia). It is believed that each one's message of goodwill will spread to the space around them. Each visitor was asked to use paint, glitter, glue, and sequins to create a flag representing "What does HOME look like to you?" Among the flags were images of hearts, smiles, and the word "love." We at Refugee Project think that the idea of home being "love" is an especially great example of how "home...

Rebuilding a Future

From L to R: Julie Teixeira, two PPR clients, Christine Byma, Rebecca Asch, NSC case manager Laura; seated row L to R: Jessica LaBarca, PPR client, Julia Crawford, PPR client The Philadelphia Partnership for Resilience (PPR) Spring term concluded May 18th with a time of sharing, food and celebration of clients' accomplishments.  Clients in one group shared the Shoji lanterns they recently created while clients in the second group shared the art journals they created.  The Shoji lantern project is described below. Shoji comes from Japanese architecture and is a wall, room divider, or door covered with translucent paper, allowing light to shine through. Shoji lanterns were used to light the front of temples and shines and were later used to provide light during tea ceremonies.  The Shoji Lantern project focused on two main themes, building and light. Building and emergent sub-themes such as patience, resiliency, and rebuilding were reflected in the art making process as gro...