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Showing posts from February, 2015

Metaphor in Art-Making: Making old things new

Art as metaphor is a powerful tool in sharing life lessons.  Woven through the art-making projects, BuildaBridge artists working with refugee populations understand the difficult transition group participants bring to a class session.  Each mistake, and each difficulty, in the art-making process can become an opportunity to teach a skill or encourage positive reflection on life's challenges. The BuildaBridge Souderton Refugee Group of Central and East African refugee populations is no exception.  Weaving is a cultural tradition in Africa .  Though these Souderton participants are not all artisans, there is a potential natural and cultural connection for them. Gathered around a table the group of 8 women, men and children look intently at a sample quilt made of pieces of fabric--strips of old t-shirts and various kinds of yarn--that had been braided, tied, and sewn together to form a cultural identity tree. This will be their project for the next six weeks....

Creating Trusting Relationships Through Art-Making

When the group of refugees and immigrants started arriving, we greeted them at the threshold with warm smiles.  I was unsure of what to expect my first time in a live session beyond the BuildaBridge training and team meetings we had prior to the beginning of the term. Sunday February 8th marked the second meeting of the Philadelphia Partnership for Resilience (PPR) group of 2015. Our team consisted of Rebecca Asch, Francesca Montanile and myself.  We had arrived early to set up the room with art supplies. Being that this is my first internship in a therapeutic arts setting,  I knew that we'd be creating art with participants, but how would that look, I wondered. What aspects of this PPR session would prove most useful in aiding people who had been displaced from their homes and experienced torture?  My questions were soon answered. It was the second time this group had met.  It had grown, I was told.  Moore, a regular member of the group from the Middle Eas...

What's in a name?

S. wakes up every Sunday saying that it's the day for her art class. She looks forward to attending because her teacher knows her name and calls on her by name to lead dance movements.  S. had perfect attendance during the Fall of 2014 because BuildaBridge's art class made her feel important and valued.   Julia Crawford, lead therapeutic movement instructor, greeting a child at the threshold S. is one of 51.2 million displaced persons in the world today.  According to the United Nations High Commissioner for Refugees , this is the highest number since World World II and equivalent to the 26th largest nation on earth. To S., the fact that her teacher knows her name is a huge reason why she attends BuildaBridge's art class.  Artists, teachers and creative arts therapists are trained in BuildaBridge's Classroom Model, a trauma-informed, hope-infused, child/client-centered approach that facilitates hope, healing and resiliency among populations experiencing crisis and po...