New faces, new beginnings

202 - The number of refugees, immigrants and aslyees who participated in BuildaBridge programming during 2014.

112 - Adults
90 - Children
19 - Artists engaged

Over 75% of participants were new to BuildaBridge programming this year and came from over ten countries. The art-making experiences in a community context allow participants to build bridges between their culture and those of others; communicate their stories; share experiences and challenges and most importantly, find the resiliency and hope for for a new beginning here in the U.S.

Check out highlights from 2014:

Bhutanese Elders Story Mural
Videos of refugees from the Democratic Republic of Congo
Refugee Employment and Advancement Program
Friendships form at Hopeful City exhibit
Burmese Chin and Karen children find unity
The Talking Turtle
Bridging the Cultural Divide through Art

Comments

Why is art important for refugee children?

For refugee children, art-making experiences within the BuildaBridge Classroom model have helped them identify adjustment strategies, build on their personal strengths and build resiliency in a new culture. S is a 10-year old Bhutanese refugee girl who has been attending BuildaBridge groups since they started in August 2011 with almost near perfect attendance. In the almost three years of her attending groups, through art-making, S has made significant progress in all of the BuildaBridge outcome areas (social, character development, artistic and academic). As an illustration of the development of her social skills, S has improved relations with her younger brother with whom she is often competitive. This has been an ongoing growth area the therapists have been addressing. During the past two years, S has physically participated less in the movement experiences when other girls are not in attendance. During this third year of programming and as an illustration of her increased character...

Japanese Shoji Lanterns

A discussion surrounding the word “rebuild” emerged. Is it to build again with new materials or does it suggest rebuilding again from the pieces that have fallen? On a quiet Sunday afternoon five individuals gathered around a table from four different countries, representing three different languages (4 if you’re counting dialect), and spanning three different generations. Through our partnership with the Nationalities Service Center/Philadelphia Partnership for Resilience (NSC/PPR) collaborative, art therapists have facilitated groups for about nine months that explore the past, present, and future for individuals who are immigrants. The past few weeks have been devoted to constructing Japanese Shoji lanterns, with a culminating tea ceremony. Patience, focus, and creative problem solving were just a few virtues challenged by this 3 dimensional project that prompted a lively discussion about selfless rebuilding for the sake of younger generations. The question initially posed about the...

PPR Field Trip to Bartram's Garden

On October 27, 2017, Sofya Mirvis, Chelsea Faulkner, and Julie Kring-Schreifels, teaching artists at BuildaBridge, led a group of six people on a field trip to Bartram’s Garden in Philadelphia. This trip began with a very tranquil and engaging tour through Bartram’s Garden. During the tour, everyone got to try out different types of edible wild fruit, flowers, and plants, including: passion fruit, figs, and locust pods. The clients also picked out their favorite plants, fruit, and/or flowers while on the walk through the garden to later draw, paint, or put on a sun print. When we got back from the tour, the group was given a demonstration on botanical illustration. In the demonstration, they learned about the history, the techniques necessary, and the resources that were available in the classroom for botanical illustration. Two alternative activities were also given: sun prints and printmaking. After the demonstrations, everyone excitedly and diligently got to work. Overall, the trip...

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